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Brecht on Theatre: The Development of an Aesthetic
Get Free Ebook Brecht on Theatre: The Development of an Aesthetic
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From the Back Cover
This important volume offers a major selection of Bertolt Brecht's groundbreaking critical writing.
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About the Author
Bertolt Bertolt (1898-1956) was the most influential German dramatist and theoretician of the theater in the 20th century. Also a poet of formidable gifts and considerable output, Brecht first attracted attention in the Berlin of the 1920s as the author of provocative plays that challenged the tenets of traditional theater. Forced to flee Germany in 1933 because of his leftist political beliefs and opposition to the Nazi regime of Adolf Hitler, Brecht and his family spent 14 years in exile in Scandinavia and the United States. Although he tried hard to become established in the United States, Brecht failed to make a breakthrough either as a scriptwriter in Hollywood, California, or as a playwright on Broadway. Two years later he moved to East Berlin and remained there until his death. In the 1950s he became an internationally acclaimed playwright and director through productions of his plays by the Berliner Ensemble, a company based in East Berlin and headed by his wife, actor Helene Weigel. John Willett (1917-2002) was a noted scholar, author and translator. From the outset he was the prime editor and translator (with Ralph Manheim and others) behind Brecht in English. He was involved in the planning and translation of the programme book for the Berliner Ensemble's celebrated first visit to London in 1956 (the year of Brecht's own death); in 1959 he published the first general study in any language, The Theatre of Bertolt Brecht; he translated, edited and introduced the enormously influential Brecht on Theatre (1964); and he was a founding member of the International Brecht Society and sometime editor of its Yearbook.
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Product details
Paperback: 352 pages
Publisher: Hill and Wang; 13th edition (January 1, 1977)
Language: English
ISBN-10: 9780809005420
ISBN-13: 978-0809005420
ASIN: 0809005425
Product Dimensions:
5.4 x 0.9 x 8.2 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
15 customer reviews
Amazon Best Sellers Rank:
#127,641 in Books (See Top 100 in Books)
Pretty much everything that Brecht wrote on the theatre, his own, the theatre world around him, and the plays and dramatic theories of others. Anyone researching matters of Brechtian theatre according to BB need go to no other source. Especially interesting are the insights one might glean out by Brecht on how his rather idiosyncratic and ever-evolving ideas of the stage might be fitted into Stalinist socialism that he embraced.
First of all, it should be mentioned that there is no theatre untouched by Bertolt Brecht's theories and practices on theatre. In the 21st century, the way we look at theatre has its roots in Brecht's Aesthetic.Now, this book is like the Brecht Bible essentially. Packed with all his views and opinions on the theatre, society and culture around theatre, acting, etc. Its big, dense and the type set is small enough to make you cry sometimes because he just never seems to stop.I had a hard time following and understanding it, but that is no fault of this edition, but more so the long winded thoughts of Brecht. The core of his ideas and points are there, they just need to be searched for. Sometimes he makes it very clear what point he is trying to make, but sometimes you have to wade through his thoughts until he nails it for you. I think for having never read it before, I wasn't sure what was the most important part of some of the arguments he was making, but overall I know this is a valuable book to own. I think it requires guidance from someone who has studied Brecht a lot, which I fortunately had. There is a Brecht for Beginners I think out there that is a GOOD COMPANION to this book.
Good collection of Brecht's views on theater theory.
This is a huge selection of essays written over many years. This not necessarily something you may want to just sit down and read straight through. If you do, you will find many contradictions over the years. At any rate, it is a very formative collection of Brecht's work, and certainly a must have for anyone who studies theatre or the arts in general.
Great for quotes by Brecht, and for understanding his version of absurdism, though ther are some strange "interviews" that don't accurately quote him, but thry are entertaining.
This is an insightful text explaining Brecht's views on theater through essays and notes. I recommend this book to anyone interested in learning more about Epic Theatre.
Great book. Brecht is a good writer with intelligent ideas.
Excellent book. Great notes and edition.
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