Archive for Agustus 2010

PDF Ebook The Zondervan Pictorial Bible Atlas

PDF Ebook The Zondervan Pictorial Bible Atlas

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The Zondervan Pictorial Bible Atlas

The Zondervan Pictorial Bible Atlas


The Zondervan Pictorial Bible Atlas


PDF Ebook The Zondervan Pictorial Bible Atlas

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The Zondervan Pictorial Bible Atlas

A CONTEMPORARY,AUTHORITATIVE OVERVIEW OF BIBLE LANDS WITH 512 PAGES OF TEXT COORDINATED WITH 220 PHOTOS AND 85 MAPS--PROVIDED BY-BOOKSATMILEHIGH

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Product details

Hardcover: 524 pages

Publisher: Zondervan; New Ed edition (June 1, 1969)

Language: English

ISBN-10: 0310212405

ISBN-13: 978-0310212409

Package Dimensions:

9.5 x 6.6 x 1.2 inches

Shipping Weight: 2.2 pounds

Average Customer Review:

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Amazon Best Sellers Rank:

#1,462,679 in Books (See Top 100 in Books)

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Free PDF , by Susan Shalev

Free PDF , by Susan Shalev

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, by Susan Shalev

, by Susan Shalev


, by Susan Shalev


Free PDF , by Susan Shalev

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, by Susan Shalev

Product details

File Size: 3466 KB

Print Length: 200 pages

Simultaneous Device Usage: Unlimited

Publisher: Studio Maytal Amir (January 1, 2019)

Publication Date: January 1, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07MRLWGZK

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Amazon Best Sellers Rank:

#658,655 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I highly recommend this book about a Jewish family from Poland in 1939 describing their circuitous and challenging journey to freedom. Told through the eyes of teenage Tanya, she recounts many narrow and fateful escapes from the invading Nazis. In their trail they leave behind communities of Jews who were cruelly decimated and destroyed. Tanya's father's keen instincts kept them on the run while miraculously managing to navigate the family to safely. It is a tale of refugees using resourcefulness while adapting to enormous challenges and dramatic life-style changes. From a comfortable life in Nowy Sacz, Tanya and her family find themselves in desolate, icy and inhospitable Siberia –exiled as enemies of Russia. The journey of several thousand kilometers takes them through Tajikistan and Europe. The harrowing and dangerous journey culminates in relief and joy with their arrival and potential of building a new life in Israel.This account of holocaust survival is an informative and novel story – one that should be studied and read. It is inspiring, sensitively and beautifully written, immersing the reader in the horror of occupation, adventure, displacement and ultimately, the miracle of survival against all odds.

This is a beautifully written story about resilience and resourcefulness (and luck) in the face of war and desperation and disease. How a refugee family stayed together and survived against the odds as they fled from the Nazis and survived terrible hardships together, finally reconstituting their lives in Israel after the war. The story is narrated by the teenaged daughter of the family. I found myself becoming rather emotional at different points, especially at how they managed to commemorate Passover in the face of extreme deprivation in Siberia. A great read!

I have been through a lot in my life, especially as a teenager. When I heard from a friend about this book I decided to give it a go. It exceeded my expectation on every way. I really connected with Tanya and everything she had to deal with. Being a true story, I felt uplifted and gifted to be living in such wonderful times and yet admire and feel inspired by those who had to live through WW2. Good read!

A very moving story based on true facts telling of one girls life growing up in Europe during the second world War, her experiences, feelings, fears and finally arriving in Israel. A true life history lesson.

Definitely a good read. A compelling true story that casts light on a rarely-described aspect of the Holocaust as seen through the eyes of a young women fleeing further and further east as the Holocaust encroaches. Recommended for Young Adults and upwards.

I have read many books, fiction and non-fiction, about this era, and it never ceases to amaze me that I can still be surprised by unknown stories that have never been told. This is one of them. Truth is certainly stranger than fiction – and more interesting.

I've read a lot of books about the Holocaust and this one told a story I'd never heard before. It was well written and I felt like I got to know Tanya. I kept thinking about how life can change at any minute and how attitude and luck can determine our path.

We can never stop learning from stories about the Second World War and the cruelty not only of the Nazis, but of the Russians an even ordinary folk. This is an important story to tell.

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Download PDF Nightwood (New Edition), by Djuna Barnes

Download PDF Nightwood (New Edition), by Djuna Barnes

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Nightwood (New Edition), by Djuna Barnes

Nightwood (New Edition), by Djuna Barnes


Nightwood (New Edition), by Djuna Barnes


Download PDF Nightwood (New Edition), by Djuna Barnes

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Nightwood (New Edition), by Djuna Barnes

Review

“One of the great masterworks of twentieth-century fiction.” - Vogue“Djuna Barnes is a writer of wild and original gifts. . . .To her name there is always to be attached the splendor of Nightwood, a lasting achievement of her great gifts and eccentricities---her passionate prose and, in this case, a genuineness of human passions.” - Elizabeth Hardwick“A masterpiece of modernism.” - The Washington Post Book World“To have been madly and disastrously in love is a kind of glory that can only be made intelligible in a sublime poetry―the revelatory and layered poetry of Djuna Barnes's masterpiece, Nightwood.” - Dorothy Allison, author of the National Book Award-nominated novel Bastard Out of Carolina

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From the Back Cover

"A novel of extraordinary and appalling force...a kind of symbol of sinister magnificence."―The New York Times "One of the greatest books of the twentieth century."―William S. BurroughsNightwood, Djuna Barnes's strange and sinuous tour de force, has become a classic of modernist and lesbian literature since its first publication in 1936. Set in Paris, Berlin, and Vienna during the decadent period between the two World Wars, Nightwood "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). It is the story of Robin Vote and those she destroys―her husband the "Baron," their child Guido, and the two women, Nora and Jenny, who love her; the whole is illuminated by the fantastic monologues of the renegade doctor Matthew O'Connor. Most striking of all is Barnes's unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good that only sensibilities trained on poetry can wholly appreciate it," and The New York Times Book Review to assert: "Admired by Joyce, Nightwood is as important to the history of the 20th-century novel as Finnegans Wake―and more readable." "Nightwood is itself. It is its own created world, exotic and strange, and reading it is like drinking wine with a pearl dissolving in the glass. You have taken in more than you know, and it will go on doing its work. From now on a part of your is pearl-lined."―from the Preface by Jeanette Winterson "What I would leave the reader prepared to find is the great achievement of of a style, the beauty of phrasing, the brilliant of wit and characterization and a quality of horror and doom very nearly related to that of Elizabethan tragedy."―from the Introduction by T. S. Eliot

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Product details

Paperback: 208 pages

Publisher: New Directions; unknown edition (September 26, 2006)

Language: English

ISBN-10: 9780811216715

ISBN-13: 978-0811216715

ASIN: 0811216713

Product Dimensions:

5.3 x 0.7 x 8 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

65 customer reviews

Amazon Best Sellers Rank:

#92,267 in Books (See Top 100 in Books)

I am a casual reader and certainly no expert on literature, but `Nightwood' was recommended to me by someone who is, and I am very glad of that. So this review may seem a bit awkward, rubbing shoulders with more learned company, but perhaps there may be some worth in the perspective of someone who, in the normal course of events, would never have ventured into these waters.I will start by saying that `Nightwood' is a work of undoubted genius. Let me also say that I started by reading the reviews here, the Introduction by T. S. Eliot and the Preface by Jeanette Winterson, and -- especially in regard to the latter two -- I rather wish I hadn't. Eliot begins (and ends) by suggesting it might be better to refuse the license offered by being given the opportunity to introduce this work and, while I understand why he went ahead and did so, personally, I wish he'd followed his first inclination. Maybe he could have said, "Just read the book. You'll understand why when you're done," but it is not my place to put words in the great man's mouth.Winterson began by saying, "Certain texts work in homeopathic dilutions; that is, nano amounts effect significant change over long periods of time. Nightwood is a nano-text." I think Winterson is a very good author, but aside from finding that a dubious description of homeopathic dilutions, I can't figure out what it means in regards to `Nightwood', especially after reading it. Starting out feeling a bit lost, I wandered in the Preface a short while and gave up.The reviews were interesting and some were quite fun to read, but I'm glad I didn't have to base my decision to buy this book on them. That is not a slam against them, for this book is many things to many people, and on reading it again (as Eliot said) I may have (probably will) new opinions. So this is a review written before the first blush has faded. Due consideration can wait for another day.`Nightwood' has a reputation as a difficult book. I did not find it so. I fell in during the first two paragraphs and gratefully submerged myself to the end. Perhaps that is because I am shallow. But to me, the essential fact of the book is the language. The language is astounding. So much so that I will term `Nightwood' a tale told inside-out. By that I mean, in story telling as it is most often done, there are people, places, events, thoughts and feelings, and the author chooses her or his words and style to convey these to the reader.Here we have words; brilliantly arranged and sumptuously presented, in streams and sometimes in torrents, magnificently relentless. It is the words that engender the people, places and events in `Nightwood' because words need a referent to have resonance. Thus, the entities that populate the story are surreal, for they are born of language, not `reality', which must obey a different canon. The doctor is an amazing creation, but you will not meet him on this plane. The description of Jenny Petherbridge is a monumental achievement, and like a monument, it's hard not to get overwhelmed by it. Consider a few brief examples, minute beside the whole, but brilliant in their own right:`The words that fell from her mouth seemed to have been lent to her; had she been forced to invent a vocabulary for herself, it would have been a vocabulary of two words, "ah" and "oh."'`She was avid and disorderly in her heart. She defiled the very meaning of personality in her passion to be a person."And my favorite: `Only severed could any part of her be called "right."'No being that physics admits outside the imagination of a genius could merit such a description.It has been said that `Nightwood' is about `meaning' (a loose term) not information, and that is true, as far as it goes, but the degree is questionable. Considering that meaning, or perhaps more concretely, the thoughts that give that `meaning' meaning, some are not a thing of words, while in other cases, words can outrun the thoughts that inspired them. Which is the case in `Nightwood', I have no idea. The language is so dense, so rich, so layered and knotted, it has a life of its own, independent of its creator, as if it is no longer wholly the author's work, but shaped by other forces. Trying to root `meaning' out of it is truly difficult, perhaps impossible, if one's main concern is to ask: "What does `Nightwood' mean"?That is not to say the book is "meaningless." Taken as data, the reflections in `Nightwood' say some fascinating things about love, about loss, about the human condition. But so do many works. Such data are fairly commonplace (though true eloquence in expressing them is not). In this regard, `Nightwood' is not unique. Nor are these reflections the most profound I've ever read. Perhaps (indeed, most likely), on revisiting the book I will find more meaning. But that is not why I will revisit it.To me, `Nightwood' is first and foremost a sensual experience. I would not ask a sunrise what it means. A sunrise would never answer. I take `Nightwood' in the same spirit.

A love triangle is common in film and literature, but the Djuna Barnes version is by far more complex and interesting due to the incredible richness of her language and literary style. After reading (one should say “studying” due to the concentration needed for its understanding) Nightwood the memory of each character will have a long decay time, and this will happen regardless of the gender or sexual preferences of those who decide to devote their time to it. It is one of the few novels of the twentieth century that was daring in its subject matter but still interesting and provocative without being excessively polemical.There is a lot in this story that one can form an intellectual intersection with, and just as much that is novel and will at first appear distant and hard to focus on, like a light source that has been blurred by a dirty lens. Readers may have to remove their prejudicial and conceptual bifocals in order to see just what the author has broadcast. This is the best feature of the story, namely that it requires a fair amount of cognitive perspiration for its appreciation. It cannot be understood with a mere surface reading, and is definitely not for the light-hearted or those who want rapid scene changes and simplistic dialog.The characters are not mere slogans, but ones who display traits that one can find comradeship with, and themes that also have moral force, with this force being directed on purpose, with high-powered literary artillery. One will encounter for example in (Baron) Felix Volkbein the uncritical adulation of authority, with this an expression of his adaptation as a Jew living in a foreign land, with foreign meaning both in tradition as well as in its prejudices. And Felix’s affection for Robin Vote is expected and natural. Robin is the delicate and vulnerable character in the novel, the one who journeys the most and is followed the most as the novel unfolds. Robin is to be contrasted with Nora Flood, the character who is by far the most different from men, a “deviation” that men may aspire to but is always out of reach. The romance between Robin and Nora is atypical and deep, but at the same time refreshing without being frivolous. And then there is Jenny Petherbridge, the character that is certain to demand attention and perhaps disgust from the reader. Jenny may be subjected to condemnation by many readers, but she adds weight to the third vertex of the triangle, and in a way that makes it non-isomorphic to other triangles that readers might discover in novels of this genre.By far the most interesting of the characters is Dr. Matthew O’Connor. Unlicensed to practice medicine but definitely deserving accolades for his ability to subject the reader to strong perturbations of verbal patterns, O’Connor nails Nightwood on a wooden plank as one of the best stories of the twentieth century. Whether it was the intent of the author or not, O’Connor is the “central figure”, most definitely so, and this is true despite his frequent cynicism and sometimes macabre attitude about love and life. Readers may find themselves in a kind of Hegelian opposition to him, an antithesis perhaps of all they stand for, but it is easy to delight in his frankness, and in the ease in which he can create strings of words that form patterns not matched before in literature.

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